Movies, Take It Slow
A film-club spot cut in Michael Mann's blue-and-amber palette, with an original Tangerine-Dream-style synth score.
I write, design, score, and cut original short films, end to end.
New — public domain series
I put myself inside a hundred-year-old film. Keaton sweeps up, oblivious; I'm standing in the seats behind him, unable to get his attention, and eventually I make my peace with it. Everything ran locally on one machine, entirely on open-source tools — filmed on a phone against a bare wall, matted with RobustVideoMatting, composited into the original plate and degraded to match its grain, black level and frame rate. The score is MusicGen. The intertitles are set to match the film's own lettering. No paid AI services, nothing uploaded to anyone's cloud.
A film-club spot cut in Michael Mann's blue-and-amber palette, with an original Tangerine-Dream-style synth score.
A lonely little tomato named Pom Pom moves to a faraway town with no friends. Then he tumbles into the ocean, and every fruit and vegetable comes running to save him.
A lonely cabbage and a lonely broccoli named Saucy meet at the beach and become best friends, with watermelon and mango along for the ride.